Great composers design their works just as architects do. Then, using sounds as building materials, they go on to make them.The space they occupy is an inner space, but like the outer space, in order to communicate meaning, interest and ultimately well-being, the space must become an alternation, or rather a sequence, of different elements.…
Details
The Trio in E-flat major for piano, clarinet and viola KV. 498, was included by Mozart in his personal catalog on August 5, 1786. According to an unverifiable anecdote, the piece was supposedly composed by Mozart during a game of skittles. This is precisely where its nickname of the Skittle Trio(Kegelstatt-Trio) comes from. Along with…
Details
Download the playbill In the common perception of the family of musical instruments, the viola is feminine and the violin, although higher pitched, masculine. In this concert, voice and instrument alternate as sisters or lifelong friends, in pieces by great composers who, almost all of them, continuously traversed musical Europe and beyond to Russia, in…
Details
Mozart composed Piano Concerto No. 12 in 1782 for a Vienna audience, a year after he left Salzburg following his break with Archbishop Hyeronimus Colloredo. The change also had an effect on his writing, which was animated by a renewed stylistic freedom from the wishes of the patron, allowing Mozart to show off his technical…
Details
The pieces on the program are based on the repertoire of “city” gypsy violinists-which inspired, in the late 1800s, even Franz Liszt-and from the traditional folk music of remote villages, often isolated for centuries.Joy, sorrow, rebellion, and a desire for freedom are the feelings that are released through wonderful melodies and rhythms of frenetic dances.
Details
It is hard to say when this happened, but at some point the sea, this endless perpetual motion, this unfathomable depth, became a female image. It is natural for musicians to see in the image of the sea creative freedom, the infinity of possibilities, the perpetual movement of imagination. And so, every time they tell…
Details
A journey of discovery through late 17th-century Rome.An expressive form that draws on Baroque instrumental virtuosity, the Triosonata lives again in the concert of the Italian-Polish quartet, which makes the dialectic between cultural roots its creative force.
Robert Schumann’s quartet is the only one with piano, which has a role as a solo instrument, supported by a string part-play conceived as an orchestral ensemble. Mozart’s Dissonances is the great artist’s most astonishing quartet, characterized by a slow introduction, unique in its genre, and conducted in a harmonically futuristic manner for the time.
Three extraordinary artists of international caliber for a journey through the intense atmospheres of late Mitteleuropean Romanticism: like sweet melodies, these sounds of yesteryear still attract us today and blossom like spring buds, intoxicating us on a February Sunday with their fragrance. Hungarian Dances #1 Hungarian Dances #3 Zwei Gesänge op.91
Details